They have been very generous with their thoughts and enthusiasms. Students at Yale and Columbia have been special interlocutors in semi¬ nars and studios that focus on the sites collected here. The conference, co-organized with Vyjay¬ anthi Rao, included contributions from Allan Sekula, David Joselit, Stephen Graham, Xiangming Chen, Rahul Mehrotra, Pankaj Joshi, Leslie Lu, Stefano Boeri, Ingo Gunther, Peter Lamborn Wilson, AbdouMaliq Simone, and Arjun Appadurai. The “Enclave” conference sponsored in Spring 2004 by Yale University’s Center for the Study of Globalization, Yale University’s Center for Cities and Globalization (Arjun Appadurai, Carol Breckenridge, and Vyjayanthi Rao), and Yale University’s School of Architecture contributed to a discourse that surrounds and supports this book. Kumar (STPI), Jodi Katz (Intelsat), Vyjayanthi Rao, Satya Pemmaraju, Kanu Agrawal. van Fielsdingen (FROG), Wim Reuvers (ECT Terminals), David Pelletier (Fiillwood), John Dimmit (JC Penney). For Park: Nina Rappaport, Robbert Lohmann, and Carel C. For Franchise: Jon Lipman and Susan Lauer (Maharishi Global Con¬ struction), Kevin Benedict (Palmer Design), Peyton Taylor (World Golf Village), Jordan Crandall, Yale’s Digital Media Center for the Arts and the Wildcards project (researchers: Melanie Kiin, Ann Marie Brennan, and Andrew Mazor). For El Ejido: Penny Elerscovitch, Michael Kokora, Roberta Cook, Luiz Castillo Villegas, Miguel Barahona Garcia, Miri Ben-Haim, Albert Redo, Ramon de Torres, Angel Soler and Plataforma Solar de Almerla/Ciemat, Mujeres Progressistas, Shane Curnyn. For each of the sites discussed in this book, a number of people have pro¬ vided tours, local information, research materials, or images.įor DPRK: Jaehuck Choi, Igor Siddiqui, Andrew Benner, and Seyong Jang. Stern), Columbia University (Dean Mark Wigley), University of Pennsylvania (Chair Detlef Mertins), and Southern California Institute of Architecture. Among these are Princeton University (Dean Stan Allen), Yale University (Dean Robert A. Several schools of architecture have allowed rehearsals of this material in school lectures. Research assistants Chinnie Ding and Todd Reisz have contributed enormously. Several books or catalogs included material from this book as an article or chapter: Cybercities Reader (Stephen Graham), After the World Trade Center: Rethinking New York City (Michael Sorkin and Sharon Zulcin), the catalog for the National Building Museum’s Up, Down, Across: Elevators, Escalators and Moving Sidewalks (Alisa Goetz), and The Frontiers of Utopia and Other Facts on the Ground (Anselm Franke and Eyal Weizman). Somol and Sarah Whiting), and Cabinet (Sina Najafi). Purdy), Pasajes de Arquitecturay Critica (Jose Ballesteros), Metalocus (J. Grey Room (Branden Joseph, Reinhold Mar¬ tin, and Felicity Scott), Harvard Design Magazine (William Saunders), Praxis (Ashley Schafer, Amanda Reeser, Megan Miller), Perspecta (Noah K. Comments from the following editors im¬ proved and amplified the text. The journals Grey Room, Harvard Design Magazine, Praxis, Perspecta, Pasajes de Arquitectura y Critica, Metalocus, and Cabinet have published versions of this research in recent years. The book has received funding from The Graham Foundation, Yale Uni¬ versity’s Griswold Fund, and Yale University’s Frederick Hilles Publication Fund. Many people deserve thanks for their help or advice in preparing this book. Includes bibliographical references and index. Library of Congress Cataloging-in-Publication Data Easterling, Keller, 1959- Enduring innocence : global architecture and its political masquerades / Keller Easterling, p. This book was set in Adobe Garamond and Rods Sans Serif by Graphic Composition, Inc., and was printed and bound in the United States of America. For information, please email or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. No part of this book may be reproduced in any form by any electronic or mechan¬ ical means (including photocopying, recording, or information storage and retrieval) without permis¬ sion in writing from the publisher. © 2005 Massachusetts Institute of Technology All rights reserved. Global Architecture and Its Political Masquerades
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